Iffy @ 7th St. Entry 12/26,27/2015

Videos and photo by Andrew Schmitz

A Tribute to The Replacements @ First Ave. 11/27/2015

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Recordings and photos by Andrew Schmitz

Dead & Co. @ Target Center 11/21/2015

Photos and videos by Andrew Schmitz

Tommy Stinson's "test market" party @ The Turf Club 9/12/2015

Andy Schmitz & Dan Lange


Videos by Andrew Schmitz

The Javier Trejo Trio @ Live On The Drive, Minneapolis Northside 8/13/2015

The Javier Trejo Trio. Featuring: Joel "the Family Man" Arpin and Matt Stevens



Photo by Deirdre Corinne Hall
Videos by Andrew Schmitz

Velvet Underground Original Norman Dolph Acetate, 4 Scepter Studios 1966

Photo courtesy of teenagedogsintrouble.com

Click here/download FLAC: Velvet Underground Norman Dolph Acetate

1. European Son 2. The Black Angel's Death Song 3. All Tomorrow's Parties 4. I'll Be Your Mirror 5. Heroin 6. Femme Fatale 7. Venus In Furs 8. Waiting For The Man 9. Run Run Run

Thanks to binky at Teenage Dogs In Trouble for the original post.

For your convenience there is a FLAC/RAR player download located on the right hand margin of this page under the heading "Make Reach for a Peach vibrate air".

Greazy Meal @ The Cabooze 7/18,19/2015

Artwork by Jeremi Hanson
Photo by Andrew Schmitz

Grateful Dead @ Soldier Field Chicago 7/3,4,5/2015

Full audio and video from all three Chicago shows
Release Date: November 20, 2015
Individually numbered, Limited Edition of 20,000

Click here to pre-order: Fare Thee Well Complete 7/3,4,5/2015
















Photos and videos by Andrew Schmitz

Run Westy Run @ 7th St. Entry 7/15/2015

Rock the Garden 2015 Sunday 6/21/2015

Image courtesy of thecurrent.org

Big Star rehearsals @ unknown location Seattle, WA 4/13/1993

Photo courtesy of consequenceofsound.net

Click here/download FLAC: Big Star rehearsals @ unknown location Seattle, WA 4/13/1993

01 In the Street 02 Don't Lie To Me 03 I Am the Cosmos 04 Oh My Soul 05 Ballad of El Goodo 06 Back of a Car 07 Way Out West 08 Daisy Glaze 09 Thirteen 10 Baby Strange 11 For You 12 Feel 13 September Gurls 14 Thank You Friends 15 Slut 16 When My Baby's Beside Me

Thanks to binky at Teenage Dogs In Trouble for the original post.

For your convenience there is a FLAC/RAR player download located on the right hand margin of this page under the heading "Make Reach for a Peach vibrate air".

The Rolling Stones @ U of M 6/3/2015

Recorded by Andrew Schmitz

Officially unreleased Jayhawks demos from 1985

Photo courtesy of BBC Radio Scotland blog

Click here/download FLAC: Jayhawks 1985 demos

1. Jesus in the Drivers's Seat 2. Pennies (From Heaven) 3. Temptation 4. My Marie 5. Do-Dee-Oh 6. Clouds Across the Sky 7. Dirty Pontiac 8. The Type of Man I Am 9. Snow White Angel 10. Grandma 11. CC Club Rag (I Got High) 12. Bullseye to Your Heart 13. What's The Holdup

Thanks to lilpanda at DIME and binky at Teenage Dogs In Trouble for the original posts.

For your convenience there is a FLAC/RAR player download located on the right hand margin of this page under the heading "Make Reach for a Peach vibrate air".

Gotta watch out for those saxophonists, they're a bit unstable

Photo courtesy of KMSP-TV

Click here: Guy buys a billboard to let everyone know about his new hat

Like a good trip, the backwards bicycle will break your brain!

A demonstration of cognitive bias


For fun

Sorry My Piccolo Turned Me Into a Rock Star Ma

Photo courtesy of StarTribune

Click here: "They killed it, in the good way"

LIVE from Blues Heaven. Thank you fellas!

B.B. King should also be remembered as a teacher. He published many a blues guitar lesson book and enjoyed teaching young musicians how to play the blues. One of his licks books was the first ever guitar lesson book I had, I still have it too. To this day I still can’t get those notes on its pages to sound like how he plays them though!

B.B. King is material for a wake, not a funeral. He deserves a party and a celebration, with all the artists he influenced playing in his honor.

You're not making Christianity better, you're making rock n' roll worse!

Artwork courtesy of galleryhip.com

Click here: America’s Changing Religious Landscape

The Replacements @ Midway Stadium 9/13/2014 full concert: Recorded by perks

Recorded and transferred by perks
Posted on Reach for a Peach with permission by perks. Thanks perks!

Click here/download FLAC: The Replacements @ Midway Stadium 9/13/2014

1. Crowd/Tuning 2. Favorite Thing 3. Takin' A Ride 4. I'm In Trouble 5. Don't Ask Why 6. I'll Be You 7. Valentine 8. Waitress In The Sky 9. Tommy Got His Tonsils Out > 3rd Stone From The Sun 10. Take Me Down To The Hospital 11. I Want You Back 12. Going To New York (with Tony "Little Sun" Glover) 13. Color Me Impressed 14. Nowhere Is My Home 15. If Only You Were Lonely 16. Achin' To Be 17. Kiss Me On The Bus 18. Androgynous 19. I Will Dare 20. Love You Till Friday > Maybelene 21. Merry Go Round 22. I Won't 23. Borstal Breakout 24. Swingin' Party 25. Love You In The Fall 26. Can't Hardly Wait 27. I Don't Know > Buck Hill 28. Bastards Of The Young 29. Skyway 30. Left of The Dial 31. Alex Chilton 32. Unsatisfied 33. Crowd

For your convenience there is a FLAC/RAR player download located on the right hand margin of this page under the heading "Make Reach for a Peach vibrate air".

The Replacements @ Riviera Theatre Chicago 4/29-30/2015

Photo by Andrew Schmitz

Photo by Andrew Schmitz

Edith Lotterman & Chris Gajilan

Chris Martz & Andy Schmitz

Recorded by Andrew Schmitz

Happy Record Store Day 2015

Recorded by Andrew Schmitz

Click here: My favorite Record Store Day 2015 pick

Father John Misty @ First Ave. 4/4/2015: Recorded by Andrew Schmitz

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Get your server farms ready!

I guess North America forgot to give The Stones some money :)


Loving Cup by Rolling Stones (Take 3)

Guitar lesson Friday: Sanity break in between papers, presentations, and finals

Really fun song to work on. This guy tracked himself great with it too. I'm going to practice first with a looper but might need to multitrack like this guy. Is 9 A.M. too early to fire up a Marshall half stack?

5:30 P.M.: Okay funny, my outro-solo section turned into a 20 minute John Mayeresque groove jam. Slash and Izzy would not be pleased.

The Grateful Dead: Chicago

Photo courtesy of signsoflaughter.com

My update 3/2/2015: My pink slip arrived today from Stinson Beach complete with my money orders. Good on them for that at least. Many folks haven't gotten theirs back yet but I'm sure they're working on it.

I'm sure the folks at GDTS TOO are good folks and I don't want to rag on them too much. However, their services should have never been deployed for this one if this is how the organization was going to handle this event. I still have my hotel room for four within stumbling distance and at least one hardcore head still down. This might have to be like New Orleans Jazz Fest '95. Won't know until we get there! Plan A, B, and C failed. I don't really care, equally, for Plan D or F. At this point I'm throwing all the marbles on Plan E! Even though it would be apropos, I've never had to go to a Plan G before but let's hope it doesn't come to that because I don't even know what that is. Don't worry though, I'm an old hand at this!

Update 3/5/2015: This may be an attempt by the guys to help apply some downward pressure on ticket prices for the Chicago run. Are they actually listening to angry fans?

Click here: Dear Jerry. Celebrating the Music of Jerry Garcia

What's interesting about this show is that former local jam colleague Stu Allen, the founder of the Jones Gang, will be playing with Communion: featuring Phil Lesh, Stu Allen, Grahame Lesh, Ross James, Alex Koford, and Jason Crosby. Another interesting note is that Javier Trejo is now in Stu's old spot in the Jones Gang. The circle of life continues!



By Stewart Sallo


It has been almost 20 years since legendary Grateful Dead lead guitarist Jerry Garcia transitioned to the big acid test in the sky. And since Jerry left us the debate has raged over whether the remaining members of the band — Bob Weir, Phil Lesh, Bill Kreutzmann and Mickey Hart — could call themselves the Grateful Dead. That question was answered definitively with a resounding “NO” this past weekend as some 500,000 fans logged on to the Ticketmaster website in an attempt to purchase tickets to the “Fare Thee Well” shows, scheduled for July 3-5 at Soldier Field in Chicago. You heard it here first: Even if these shows go down as the greatest in the history of rock and roll, this is not the Grateful Dead.

Many of the 500,000 hopefuls had already engaged in the ultimately futile exercise of participating in the mail order presale, thinking they were participating in a revival of the beloved tradition that marked the band’s commitment to its fans by selling tickets directly, rather than through third-party agencies. Unbeknownst to the true Deadheads who put their hearts and souls into decorating their envelopes and sending off large sums of money on Jan. 20, back-room deals had already been made with big music industry players, such as Ticketmaster and a Philadelphia-based V.I.P. package provider called CID Entertainment (with options ranging from $519 to $2,198, plus “service fees”), to cash in on the genuine love and appreciation that is still alive and well among those who have never been able to replace the Grateful Dead as a source of joy and inspiration in their lives.

The capacity of Soldier Field for these shows is 210,000. According to Grateful Dead Ticket Sales, some 60,000 mail order envelopes were received representing 300,000 ticket requests, more than the capacity of the venue. However, based upon those numbers, odds were favorable, as about two-thirds of the requests could have been fulfilled. But rather than announce that the on-sale date to purchase tickets through Ticketmaster had been cancelled, due to the shows selling out through the mail order, the on-sale date was postponed to Feb. 28. The explanation on the dead50.net website read: “In order to give the good folks at GDTS (Grateful Dead Ticket Sales) TOO time to sort through the 60,000 (!) envelopes received so far the new public on sale is Feb 28th @ 10 a.m. CST via Ticketmaster.”

Huh? You’ve received payment in the form of money orders from true, envelopedecorating, tradition-following fans for 300,000 tickets, have only 210,000 to sell, and you’re still going to be selling tickets online through Ticketmaster? In other words, you’re going to sell some of the tickets that have already been purchased by true Deadheads so that Ticketmaster can receive its cut. Nope, this is not the Grateful Dead.

But it gets worse when you examine just how many tickets were held for Ticketmaster and other middleman partners to sell. It was announced through multiple sources last Wednesday, including the Chicago Tribune and Billboard Magazine, that only 10 percent of the mail orders are being filled out of deference to the need to save tickets for sale through Ticketmaster, et al. Let’s do the math: 300,000 tickets were purchased through the mail order, but they’re only going to sell 30,000 of those tickets so they can sell 180,000 tickets through other avenues that more generously line the pockets of big music industry players.

Most suspicious of all is the way tickets mysteriously became available on eBay-owned StubHub immediately after the Ticketmaster sweepstakes ended. As of press time, literally thousands of tickets are available through StubHub in virtually every section of the venue for prices ranging from $600 (behind the stage with no view) to $3,500. Where did StubHub get all these tickets? They certainly didn’t get in line with 500,000 people to buy them from Ticketmaster! And if the inflated ticket prices on StubHub are unaffordable, you can purchase a parking pass for the modest price of $180 and enjoy the show from the parking lot at Soldier Field. Once again, where did StubHub get parking passes to sell?

One answer may lie in the inexplicable choice of Chicago as the site of this quickly souring last stand. Despite having developed loyal followings across the country and even internationally, the Grateful Dead were first and foremost a West Coast band. The band members lived in the San Francisco Bay Area, as did the most longstanding fans of the band. Against that backdrop, why Chicago?

That question becomes amplified when considering the fact that the Chicago Park District’s agreement with Chicago Bears season ticket holders entitles them to purchase their seats to all events that take place at Soldier Field. This may explain the sudden appearance of thousands of tickets on StubHub. The massive hype behind these shows had reached the radar screens of Bears fans, most of whom couldn’t care less about the Grateful Dead, but who saw an opportunity to make bank by turning a $199.50 purchase into a $3,500 trip to Puerto Vallarta. The party line that Soldier Field was chosen because it was the site of the last Grateful Dead concert on July 9, 1995 rings more hollow with every passing scalped ticket purchase.

And then there is the perplexing choice of Phish lead guitarist Trey Anastasio to join the band. Since Jerry Garcia’s death, several notable guitarists have performed as a substitute for Garcia in various post-Grateful Dead bands, such as the Other Ones, The Dead, Dark Star Orchestra, Phil Lesh and Friends and, most recently, Furthur. These include Widespread Panic lead guitarist Jimmy Herring, who was a founding member of the group Jazz is Dead, and who played in The Dead and Phil Lesh and Friends; John Kadlecik, the founding lead guitarist of the Dark Star Orchestra who has been playing in the band Furthur; and Warren Haynes, who has played in the bands Gov’t Mule and the Allman Brothers Band, and who has been a part of The Dead and Phil Lesh and Friends. In many ways Haynes was the sentimental favorite, due to his creation of the Jerry Garcia Symphonic Celebration concerts, in which a large portion of Garcia’s musical compositions were committed to score and performed nationwide with a rock band, featuring Haynes on lead guitar, and backed by local symphony orchestras.

All three of these fine musicians have studied Jerry Garcia’s music in a way that qualifies them to fill his enormous empty shoes. Not so with Anastasio, who has made appearances with Phil Lesh and Friends but was quoted last month in Rolling Stone as saying, “I never really sat and studied what Jerry actually played, until now.” It now appears that the choices of Chicago and of Anastasio were not made in the spirit of providing the truest Grateful Dead experience for the fans but, rather, to fulfill the highest possible financial gain for the promoter, Peter Shapiro in association with Madison House, and their corporate cronies. Centrally located, Chicago offers the best combination of logistical convenience and the big-city trappings that are needed to attract an audience who can afford “secondary market” ticket prices. And the addition of Anastasio piles on the interest of an auxiliary audience of “Phish-heads” to the mix, thereby increasing the available pool of wealthy spectacle-loving (as opposed to music- or Grateful Dead-loving) ticket buyers who can chunk down $600 to $3,500 for tickets that were originally priced from $59.50 to $199.50.

All of this reveals a brilliant, even diabolical, marketing strategy. Choose a central location and a musical line-up that attracts the widest, wealthiest possible audience; create huge buzz through the Grateful Dead mail-order process to establish unfulfillable demand; and then let our friends at Ticketmaster, StubHub and other players in the “secondary market” (talk about euphemisms; we used to call it scalping) have at it. And here’s the kicker: Now Shapiro and Madison House are planning to create an entire industry around this weekend, including after-show concerts, audio and video recordings, and even a “pay per view” cable TV event. In short, get hundreds of thousands of people excited about an event they can’t get tickets for, sell their tickets to people who can pay aftermarket prices, and then charge the “losers” to watch it on TV.

One of the most fundamental truisms of life is that we are remembered for the most recent thing we did. It’s worse than a pity — it’s an outright tragedy — that perhaps the most beloved band in history has put itself in a position to be remembered for participating in what may go down as the biggest money grab in music history. On June 7-9, 1977 the Grateful Dead played three shows at the Winterland Ballroom in San Francisco to close out their legendary Spring 1977 tour, a period many Deadheads believe was the best in the band’s history. On June 7, having already purchased tickets for the closing night but with the thought in the back of my mind that there was a show that evening, I suggested to my sister, Janet, that we drive up to San Francisco from Santa Cruz to see if we could get in. About five minutes prior to the 8 p.m. showtime, we arrived at Winterland, walked up to the box office, purchased two tickets for $5 each and entered just as the band was playing the opening to “Bertha.”

That was the Grateful Dead. And that’s the Grateful Dead I want to remember, not a cover band that happens to have some of the original members, and certainly not a musical spectacle that serves big-moneyed interests, such as Ticketmaster, StubHub, eBay, the City of Chicago and whatever other corporate entities are in on this colossal rip off. The Grateful Dead built their brand on their commitment to the quality of their music and to their fans. They became famous and enormously successful for innovations such as their focus on touring and live performances, rather than selling records; building their fan base by allowing fans to tape and freely share their performances; and by creating their own ticket agency, rather than allowing corporate middleman entities to control their scene, as has happened with these “Fare Thee Well” shows.

In a 1967 interview with the Grateful Dead, conducted by CBS’s Harry Reasoner, Jerry Garcia said, “What we’re thinking about is a peaceful planet. We’re not thinking about anything else. We’re not thinking about any kind of power; we’re not thinking about any of those kinds of struggles; we’re not thinking about revolution or war or any of that. That’s not what we want. Nobody wants to get hurt; nobody wants to hurt anybody. We would all like to live an uncluttered life, a simple life, a good life, you know. And, like, think about moving the whole human race ahead a step or a few steps, or half a step, or anything.”

With each passing day since these shows were announced, it has become clearer that the “Fare Thee Well” concept bears no resemblance to the Grateful Dead. There is nothing peaceful or forward-thinking about misleading people with hope in their hearts, and thousands of loyal fans have been hurt in the process. As difficult as it is to articulate the Grateful Dead philosophy, it’s not difficult for anyone who loved the band to come to the conclusion that this is not the Grateful Dead.


Ripple by Grateful Dead (Take 3)

This one goes out to Malibu. She always would lay by my feet when I played the acoustic. She was my biggest fan and harshest critic!

Angelyne by the Jayhawks (Take 1)

Back By Unpopular Demand

Photo courtesy of Rolling Stone

Click here: The Replacements

Thursday, April 09, 2015 • Paramount Theatre Seattle, WA Friday, April 10, 2015 • Crystal Ballroom Portland, OR Monday, April 13, 2015 • Masonic San Francisco, CA Thursday, April 16, 2015 • Hollywood Palladium Los Angeles, CA Sunday, April 19, 2015 • The Fillmore Denver, CO Wednesday, April 29, 2015 • The Riviera Theatre Chicago, IL Thursday, April 30, 2015 • The Riviera Theatre Chicago, IL Saturday, May 02, 2015 • Eagles Ballroom Milwaukee, WI Sunday, May 03, 2015 • The Fillmore Detroit, MI Tuesday, May 05, 2015 • Stage AE Pittsburgh, PA Wednesday, May 06, 2015 • LC Pavilion Columbus, OH Friday, May 08, 2015 • Echostage Washington, DC Saturday, May 09, 2015 • Festival Pier Philadelphia, PA
European Shows: Thursday, May 28, 2015 • Primavera Sound Barcelona, Spain Saturday, May 30, 2015 • Paradiso Amsterdam, Netherlands Tuesday, June 02, 2015 • Roundhouse London, United Kingdom Wenesday, June 03, 2015 • Roundhouse London, United Kingdom

Photo courtesy of PaulWesterberg.com


Skyway by The Replacements (Take 2)