Reach for a Peach

This is about rock n' roll, act accordingly...

Tuesday, August 6, 2013

Ripple by Grateful Dead (Take 3)

Posted by Andrew Schmitz at 7:21 PM No comments:
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Loving Cup by Rolling Stones (Take 3)

Posted by Andrew Schmitz at 7:19 PM No comments:
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My photo
Andrew Schmitz
LADC, psych grad student, musician, husband, father, cat lover, truth seeker.
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NOMI

NOMI
Image courtesy of louderthanwar.com

May I arrive on your same transcendent plane someday kid.

May I arrive on your same transcendent plane someday kid.
Malibu 1994-2015

100% of donations go to local and nat'l no-kill animal shelters, rescues, and advocacy groups.

2015 marks this 20th anniversary for me.

2015 marks this 20th anniversary for me.
Click on the image to see the lineup. Image courtesy of Progressive Computer Services, Inc.

Austin, TX

Austin, TX
Photo by Andrew Schmitz

SRV

SRV
Photo by Andrew Schmitz

Willie

Willie
Photo by Andrew Schmitz

Elvis @ The Continental Club

Elvis @ The Continental Club
Photo by Andrew Schmitz

The Rolling Stones at U of M

The Rolling Stones at U of M

The 'Mats at Midway

The 'Mats at Midway

We heard that there is a band playing the rock 'n' roll somewhere around here.

We heard that there is a band playing the rock 'n' roll somewhere around here.

Leroy Smokes

Leroy Smokes

Radio City

Radio City
Photo by Andrew Schmitz

The Replacements: Riot Fest Chicago

The Replacements: Riot Fest Chicago
Photo by Andrew Schmitz

Riot Fest Chicago

Riot Fest Chicago
Photo by Andrew Schmitz

Gary Louris

Gary Louris
Photo by Andrew Schmitz

Chagall bust'in a jam

Chagall bust'in a jam
Photo by Andrew Schmitz

Chris Robinson Brotherhood

Chris Robinson Brotherhood
Photo by Andrew Schmitz

Trey Anastasio: 1st. Ave.

Trey Anastasio: 1st. Ave.
Photo by Andrew Schmitz

Where did all the cool ticket artwork go?

Where did all the cool ticket artwork go?
Photo by Andrew Schmitz

Prince @ First Ave. 7-7-7

Prince @ First Ave. 7-7-7
Photo by Andrew Schmitz

Graffiti Bridge: Eden Prairie, MN. circa 1984.

Graffiti Bridge: Eden Prairie, MN. circa 1984.
Photo by Joseph Schmitz

Les Claypool telling stories

Les Claypool telling stories
Photo by Andrew Schmitz

Stan the man!

Stan the man!
Andrew Schmitz, Stanley Clarke, and Edith Lotterman

Relix'in at the Grateful Dead's old 710 Ashbury St. house.

Relix'in at the Grateful Dead's old 710 Ashbury St. house.
Photo by Ryan Tveidt

We know how to put the fun in funky!

We know how to put the fun in funky!
Gary Burton, Edith Lotterman, Andrew Schmitz, and Chick Corea

C-Boy's Austin, TX

C-Boy's Austin, TX
Jimmie Vaughan & Andrew Schmitz

Links: The Peach's favorite picks

  • DIME
  • Internet Archive: A non-profit digital library offering free universal access to books, movies & music.
  • New York's live music archive
  • Only open if you're pure of heart, or if Anita Stinson had ever reluctantly poured you a tall one.
  • Teenage Dogs In Trouble
  • Texts from last night meets Miss Fisher's Murder Mysteries...cause sometimes Mr. Butler has a little too heavy a hand with the cocktails.
  • The Concert Database
  • The Taperssection Forums
  • hartmanhooks

Reach for it!

Reach for it!
Image courtesy of foodandhealth.com

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      • Ripple by Grateful Dead (Take 3)
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Disclaimer & Legal

Thank you for visiting and I hope you enjoyed. This is a work in progress so please visit again soon for subsequent takes and new tracks. These files are the author's own work and represents their interpretation of the songs. You may only use these files for private enjoyment/study, scholarship, or research.

All songs, vocals and instrumentation, were performed and recorded by Andrew Schmitz except where otherwise noted. All live concert recordings produced by Andrew Schmitz are with artist or artist's management permission, in compliance with artist or venue taping policies, or are assumed due to an artist's or a venue's historic or existing pro-taping policy.

All original content authored by Andrew Schmitz and all files and posts produced and recorded by Andrew Schmitz are subject to 17 U.S.C. Section 106, et. seq. Redistribution of all original content authored by Andrew Schmitz and all files and posts produced and recorded by Andrew Schmitz without consent of Andrew Schmitz is strictly prohibited unless redistribution meets fair use criteria pursuant to 17 U.S.C. Section 107, et. seq., in which case, please enjoy and share 'till your heart is content while including all known and published credits in the title or index of the downloaded/redistributed file or post.

Photographs; prohibited uses: Photographs that appear on Reach for a Peach may not be used in connection with the promotion of any commercial product or commercial website without the consent from its author. In addition, they may not be used and distributed in commercial software, commercial photo sets, or other electronic commercial media, or in any printed commercial publication without the consent from its author.

Photographs that appear on Reach for a Peach may be used for private enjoyment/study, scholarship, or research without the consent from its author. However, credit of the photographer, when available, must be given on or adjacent to the photo.

Andrew Schmitz hereby waives all copyright claims to all non-original content not authored by Andrew Schmitz that is posted on this site to THE ARTISTS ONLY or their estate. If any artist posted on this site requests that recordings or other posts be removed, those recordings or other posts will be removed forthwith. However, please note and remember that Reach for a Peach strives to maintain only fair use practices pursuant to 17 U.S.C. Section 107, et. seq. and strives to further provide the wonderful gifts music has to offer to all.

P.S. All live audio only concert recordings recorded by Andrew Schmitz are recorded 24BIT/96KHZ Wave and uploaded as 128Kbps/48KHZ MP3 to Reach for a Peach. No post production attributes are added, minus editing for time/upload capacity per file limitation. That being said, since attenuation, i.e., amplification may be perceived as being low on the posted product, the selected recording attenuation was deemed necessary during the initial live recording process due to the devices being used and the rational to mitigate various live recording variables. It is recommended and perhaps necessary for the end user, listener, to use secondary amplification in order to witness the entire sound spectrum present in the posted live concert recordings... In other words, crank the effer to 11 and enjoy!

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